Revenge and Vengeance - Revenge More Important than Oedipus Complex Ess

R blushge More Important than Oedipus analyzable in small town A boys streak of vengeance is non always only when Oedipal. Hamlets revenge, and the situations that spur it, ar not based on his love for his capture, however on the need to avenge his incurs death. Although Hamlet is the only one who hears the phantom talk, others experience the sight. This proves that he does not subconsciously create the hallucination in order to rid his mother of her new lover. Once learning that his father was murdered, and that no one witnessed his death, Hamlet feels compelled to punish the killer. Even though the receiver is his mothers new husband, Hamlet acts to avenge his fathers death, not go forth of jealousy for his mothers partner. Hamlet is very angry with Gertrude, his mother, for marrying so soon after her first husbands death. His furor is based solely on his mothers rapid wedding and the person whom she wed, not on Hamlets sexual desires towards his mother. Although Haml et may love his mother, his actions of revenge are based on his need to avenge Old Hamlets untimely death. The Oedipus Complex is a universal law which suggests that all boys become their mothers lover in dreams. Freud believed that in the phallic stage of development, every boy becomes his mothers lover in his dreams(1).This may cause them to try to rid their mother of her lover out of jealousy. In Hamlets case, his revenge is not based on his sexual desires towards his mother but on his need to punish his fathers killer. Old Hamlets spirit, which was seen by Horatio, Bernardo and Marcellus even before gaining access to Hamlet, is not a figment of Hamlets imagination. Hamlet did not subconsciously create the spirit as a means of creating a reason to ... ...loyal sons revenge. Works Cited and Consulted Adelman, Janet. Suffocating Mothers Fantasies of Maternal Origin in Shakespeares plays, Hamlet to The Tempest. capital of the United Kingdom and virgin York Routledge. 1992. Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reeseman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York Oxford University Press, 1992. Heilman, Robert B. The Role We Give Shakespeare. Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ Princeton University Press, 1965. Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. reprint from Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. Hamlet, Prince of Denmark. The Riverside Shakespeare. ED. G. Blakemore Evans. Boston Haughton Mifflin Company, 1974.