Shakespeare, Reason and Love

Lovers and madmen have such seething brains,\nSuch formative fantasies, that apprehend\nMore than cool it grounds ever comprehends. (MSD 4-5)\n\nThis recite taken from Shakespeares A summer solstice darknesss Dream encapsulates that which lies at the truly heart of the play; the temper of have it off. Shakespeares exploration of hump and reason comes through the differing sets of turn inrs presented in the play. From the more rational displace of Athens (Theseus and Hippolyta) toward the more unlogical woods (Oberon and Titania). Amidst these two contrastive places, exist the four new-made lovers (Lysander, Demetrius, Helena and Hermia) who straddle twain these settings and thus could be a consideration for both reason and love. As such, the play asks questions of love in relation to a world of reason and rationality. perchance as a base to, or rather on board A Midsummer Nights Dream, it is important to ascertain at the philosophical arguments of Plato - peculiar ly in the Phaedrus. Though its head concern rests with the art of rhetoric, the parley between Socrates and Phaedrus also move on the nature of love along with considerations on the head and divine madness. The rife focus will pay heed within Socrates first and bite speech. This essay seeks to explore this alliance between reason and love, outline comparisons between Shakespeares A Midsummer Nights Dream and Platos the Phaedrus. \n\n originator and Love in the Phaedrus \nThe Phaedrus poop be seen as underpinning Shakespeares musings on reason and love, peculiarly in A Midsummer Nights Dream, and charm perhaps superfluous, it would be ill-informed to overlook Platos work. In solvent to Lysias, Socrates first speech tells the reputation of a boy or youth described as having very slicey lovers (237b). single of these men persuaded the boy that he was not in love, though he loved the oath no less than others (237b). The man made a speech to convince the boy to gi...