Oedipus Rex and Jane Eyre

Although Charlotte Brontes Jane Eyre may seem sort of contrary to Sophocles Oedipus Rex  on the surface, the dickens are essentially related to by the common specimen of the move around. Whether it be Janes ongoing approach of continually unlocking new chapters in her life, or Oedipuss need to exempt the kingdom of Thebes, each booster station undergoes an overall striving for the truth.\nIn Jane Eyre, the journey archetype is depicted in a behavior that transcends the mere physical interpretation. Indeed, Jane grows spiritually and metaphorically as she exposes her get in society by the end of the story. At the outgrowth of her sideline, Jane describes, There was no calamity of taking a mountain pass that day...the cold winter had brought with its clouds so sombre, and a rain so penetrating that...exercise was out of the inquiry  (Bronte 1). Her powerless state at the beginning is the product of her manifestly ubiquitous imprisonmentâˆthe suppression of Jan e physically, socially, and emotionally. From Janes initial trapping in the red room at Gateshead to her developed, autonomous personality at Ferndean, Bronte truly instills the archetype of the journey to mean Janes quest to find a middle realm between her inner making love and judgment.\nIn Oedipus Rex,  however, Sophocles portrays this journey of reform understanding oneself and the world in quite a diverse sense. Oedipuss rather convoluted quest of saving Thebes entails not but finding and punishing the murderer of Laius, but partaking in an ordeal that ultimately leads to his demise. This bold king, then, is designate to pursue a journey that, albeit discovers the truth, entangles him in the same repercussions set out out for the originally intend culprit. As he blindly curses to let a solitary man unknown in his crime...drag out his life in agony, step by dire step,  Oedipus is entirely unaware of the flightiness that regardless of which direction his quest ens ues, his tragic journey shall co...